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Earlier this month, we published “Rebuilding Local Journalism at Scale,” a new report by Elizabeth Hansen Shapiro analyzing nearly 560 proposals submitted to Press Forward’s infrastructure open call. The response was immediate—and intense. One interview Elizabeth did with Dick Tofel became his most-read post, generating more than 70 comments. We saw record attendance on our network call exploring the findings. Across the field, funders, publishers and journalists began weighing in—on LinkedIn, at Nieman Lab and elsewhere. All of it points to something important: This report is less a conclusion and more a starting point for a much larger conversation about what comes next. And it’s a reminder of something we don’t say out loud often enough: There is real demand in this field for more candid, outcome-oriented conversations—not for their own sake, but to actually move the work forward. For all the attention on media right now, there still aren’t enough spaces where funders can wrestle with these questions together. That’s part of what we’re trying to build at Media Impact Funders. In some ways, it’s always been the work. But this moment is asking more of all of us—and we’re trying to… Read More

Albi is reimagining what narrative infrastructure can look like in one of the most polarized cultural contexts in the world. Through its Film and Television Fund, institute and lab, the organization supports films by and about Israelis and Palestinians that resist binaries and make room for complexity, dissent and human proximity. In this Member Spotlight Q&A, Founder and President Libby Lenkinski reflects on how Albi defines success beyond awards or reach, why audience “encounter” matters more than scale, and what it takes to fund storytelling responsibly in conflict environments. She also explains how the organization’s Protection Hub safeguards filmmakers who are under threat and how the Palestinian Creatives Pipeline is building long-term structural access for emerging storytellers. Media Impact Funders: Albi works on documentaries in one of the most polarized spaces imaginable, where many people arrive with strongly held beliefs. Your goal is to “establish paradigm-shifting narratives.” What are the ways you think about achieving that goal and what are your markers for success? Libby Lenkinski: Albi works from a simple premise. In deeply polarized environments, facts alone rarely change minds. Stories reshape what people believe is imaginable. Documentary cinema is uniquely powerful because it operates simultaneously as… Read More