Nina is a many-hat-wearing multitasking extraordinaire. She brings more than 15 years of journalism, news editing and marketing experience to her role as MIF’s communications director. Before joining MIF in 2016, Nina worked on the brand creative team at the corporate offices of Petco Animal Supplies, editing and auditing internal and external marketing communications. In her career as a journalist, Nina has worked at The Dallas Morning News, The Santa Rosa Press Democrat, The Philadelphia Daily News and The Philadelphia Weekly in almost every editorial capacity imaginable, including senior editor. Nina is the creator and co-editor of the award-winning The Survivors Project: Telling the Truth About Life After Sexual Abuse, a book-length work of nonfiction that utilizes first-person storytelling to address the reality of healing from the effects of sexual abuse. Nina holds an M.A. in journalism from Temple University.
WATCH: Building on-ramps to local journalism funding
As funding for nonprofit journalism increases, how do we go from plans to action? How do we make the case for journalism funding to funders who think they can’t make media grants because of how their portfolios are structured, or who don’t know enough about the field to make impactful grants? How do we create […]
WATCH: Funding environmental journalism—the landscape, best practices & new projects
This month’s journalism webinar marked the second in a series exploring innovative ways to fund reporting on science, health and the environment. This time, we looked at the field of environmental reporting and heard about successful partnerships and scalable models.
Impact spotlight: Sea of Shadows
Last week, in collaboration with Philanthropy New York and the Environmental Grantmakers Association, we held a special screening and discussion of the award-winning film Sea of Shadows, a new film by National Geographic that serves as a blueprint for how a conservation effort can come together in spite of widespread institutional corruption and dangerous cartels. In […]