Editor’s note: Much like Hollywood and the entertainment and media industries, the culture of sexual harassment at Silicon Valley tech companies is no longer a shameful open secret. Over the last few months, several high-profile men in tech have resigned or been fired over allegations of sexual harassment.
By Double Exposure Investigative Film Festival
Next week, Double Exposure (DX), a project of the news organization 100Reporters, will open its doors to celebrate the newest documentary films inspired by investigative instinct, combining public screenings with a professional symposium for journalists and visual storytellers.
Media Impact Funders members receive a special 15% off discount on passes with the code DX17IMF. Register now while passes last.
What impact can foundation-funded media have in the contested discourse over reproductive rights around the world? In this guest post, Kristen Mahoney of the WestWind Foundation, based in Charlottesville, Va., explains the strategy behind supporting AMAZE—a project designed to make sex education approachable, engaging and informative for very young adolescents.
The recent violence in Charlottesville, Va., has thrust racist ideas into the national conversation in ways Americans haven’t experienced before. Of course, tensions around race relations in the U.S. have been steadily building over the past few years, with high-profile protests around police shootings and a resurgence in hate groups. Intolerance in the streets has mirrored a spike in divisive rhetoric online, where trolls “drown out the voices of women, ethnic and religious minorities, gays—anyone who might feel vulnerable,” observes Joel Stein in Time. But most disturbingly, these same sentiments can now be heard in the highest corridors of power.
Since 2014, Media Impact Funders has been showcasing the work of producers dedicated to creating documentaries in the public interest through our annual Media Impact Festival. This year, we are celebrating the power of interactive technologies to deepen the relationship between news and documentary projects and their audiences. Our 2016 selections — celebrated at our annual […]